Strategically placed cuts to structural films can create 3D nanostructures when force is applied to the films, similar to how kirigami cuts made to paper can create pop-up structures. Credit: Jennifer M. McCann/Penn State MRI.
A new technique that mimics the ancient Japanese art of kirigami may offer an easier way to fabricate complex 3D nanostructures for use in electronics, manufacturing and health care.
Kirigami enhances the Japanese artform of origami, which involves folding paper to create 3D structural designs, by strategically incorporating cuts to the paper prior to folding. The method enables artists to create sophisticated three-dimensional structures more easily.
“We used kirigami at the nanoscale to create complex 3D nanostructures,” said Daniel Lopez, Penn State Liang Professor of Electrical Engineering and Computer Science, and leader of the team that published this research in Advanced Materials. “These 3D structures are difficult to fabricate because current nanofabrication processes are based on the technology used to fabricate microelectronics which only use planar, or flat, films. Without kirigami techniques, complex three-dimensional structures would be much more complicated to fabricate or simply impossible to make.”
Lopez said that if force is applied to a uniform structural film, nothing really happens other than stretching it a bit, like what happens when a piece of paper is stretched. But when cuts are introduced to the film, and forces are applied in a certain direction, a structure pops up, similar to when a kirigami artist applies force to a cut paper. The geometry of the planar pattern of cuts determines the shape of the 3D architecture.
“We demonstrated that it is possible to use conventional planar fabrication methods to create different 3D nanostructures from the same 2D cut geometry,” Lopez said. “By introducing minimum changes to the dimensions of the cuts in the film, we can drastically change the three-dimensional shape of the pop-up architectures. We demonstrated nanoscale devices that can tilt or change their curvature just by changing the width of the cuts a few nanometers.”
This new field of kirigami-style nanoengineering enables the development of machines and structures that can change from one shape to another, or morph, in response to changes in the environment. One example is an electronic component that changes shape in elevated temperatures to enable more air flow within a device to keep it from overheating.
“This kirigami technique will allow the development of adaptive flexible electronics that can be incorporated onto surfaces with complicated topography, such as a sensor resting on the human brain,” Lopez said. “We could use these concepts to design sensors and actuators that can change shape and configuration to perform a task more efficiently. Imagine the potential of structures that can change shape with minuscule changes in temperature, illumination or chemical conditions.”
Lopez will focus his future research on applying these kirigami techniques to materials that are one atom thick, and thin actuators made of piezoelectrics. These 2D materials open new possibilities for applications of kirigami-induced structures. Lopez said his goal is to work with other researchers at Penn State’s Materials Research Institute (MRI) to develop a new generation of miniature machines that are atomically flat and are more responsive to changes in the environment.
“MRI is a world leader in the synthesis and characterization of 2D materials, which are the ultimate thin-films that can be used for kirigami engineering,” Lopez said. “Moreover, by incorporating ultra-thin piezo and ferroelectric materials onto kirigami structures, we will develop agile and shape-morphing structures. These shape-morphing micro-machines would be very useful for applications in harsh environments and for drug delivery and health monitoring. I am working at making Penn State and MRI the place where we develop these super-small machines for a specific variety of applications.”
